项目介绍

vpavlenko/study-music 是一个托管在 GitHub 上的开源项目,目前获得 2.3k 个 Star、89 次 Fork。

仓库全名
vpavlenko/study-music
Star 数
2.3k
Fork 数
89
未关闭 Issue
1

README 摘要

=== Where to start Play 1. Pentatonic sequencer 2. Music Mouse 🐭 3. The Infinite Drum Machine 🥁 or Groove Pizza or Groove Pizzeria 4. Chord Player (check out "Melody" and "Explore" tabs) or aQWERTYon 5. Touch Pianist 🧙 Interact 1. Go through Ableton's guide on music and Ableton's guide on synths 1. Bartosz Ciechanowski. Sound 2. Chrome Music Lab 16. 🤖 AI demos: Magenta, MusicLM, LakhNES, Muzic, Jazz Transformer…

完整内容见 GitHub 原始 README 或本页 。

常见问题

如何获取 study-music 的源码?

可以直接克隆仓库:git clone https://github.com/vpavlenko/study-music.git,默认分支为 main;安装与运行步骤见仓库 README。

study-music 最近还在维护吗?

仓库最近一次更新为 1 周前,当前有 1 个未关闭 Issue;Star 数为 2.3k,可作为社区活跃度的参考。

关于

GitHub 原始描述(英文)

An "awesome music theory" kinda wiki with books, resources and courses for studying everything about music and sound

描述取自 GitHub 官方 API,保持仓库作者书写的原文。

贡献者

README

Awesome Music Theory Awesome

Where to start

Play

  1. Pentatonic sequencer
  2. Music Mouse 🐭
  3. The Infinite Drum Machine 🥁 or Groove Pizza or Groove Pizzeria
  4. Chord Player (check out “Melody” and “Explore” tabs) or aQWERTYon
  5. Touch Pianist 🧙

Interact

  1. Go through Ableton’s guide on music and Ableton’s guide on synths
  2. Bartosz Ciechanowski. Sound
  3. Chrome Music Lab
  4. 🤖 AI demos: Magenta, MusicLM, LakhNES, Muzic, Jazz Transformer

Wander around

  1. See structures of Western music in rawl.rocks
  2. Explore Hooktheory’s TheoryTab: search for your favorite songs and anime openings.
  3. Ishkur’s evolution of electronic music
  4. Press Alt+“scan” at Every Noise 🌐
  5. Piano rolls in 12 colors: Famicom/NES 👾, popular music in MIDI
  6. TuttiTempi: Chopin’s Funeral March ⚰️
  7. Click “Show Timeline” for patterns similar to octatonic used in jazz solos: upward, downward
  8. See how form can be visualized in MusicPlot and in BriFormer

Watch

  1. How a track emerges:
  2. Ravel’s Bolero
  3. The Art of Mixing 🎚️
  4. Nopia 🎹 - a chord-based synthesizer
  5. 🍿 Two-chord changes typical for movie soundtracks: LP, H, T6, S, F and N
  6. Watch a gamelan multitrack and try to make sense of it, maybe with a help of a larger multitrack for another piece

Read

  1. 📚 Hooktheory 📚 - interactive books on pop harmony. A must-read for anyone
  2. Music Theory for Musicians and Normal People
  3. Dig into the structure of Beethoven’s sonata #5 movement #1, also see what we as a society know about it.
  4. Visualizations: classical, jazz harmony, jazz solos, rock

Sing

  1. Arabic maqamat
  2. Indonesian gamelan

Лекции

Western music languages

Music languages can be divided into a number of families. Historically, the most dominant and influencial one is Western family of languages. Its languages share some common traits:

  • 12 equal temperament
  • major-minor tonality, limited modes (dorian/mixolydian) with limited harmonic schemata (shuttles)
  • homophony: melody over chords, chords give a separate narrative, chords reuse schemata (functional harmony, cadences, progressions), chords shape a voice-leading space for melody and bass
  • chords as stacked thirds
  • any of the 12 notes can be a tonic
  • after two repetitions of any idea there should be a contrasting idea
  • mostly 4/4 and 3/4
  • verbatim recital of scores by musicians, limited improvisation, expression in micropauses and velocity arcs, but not in extensive idiosyncratic ornamentations

The languages are (roughly speaking):

Somewhat related to that are church chants: Gregorian, Byzantine, Armenian, Znamenny

Non-Western music languages

Non-Western music languages are different families. As they were developed all over the globe, they don’t share many common features.

The gradient of families is (roughly speaking):

Broad overview on non-Western languages

Topics

Topics on electronic music

Contacts

I post updates and other rant on music theory on Twitter (in English) and on Telegram (in Russian)

I’m always happy to chat about visualisation-aided music education and research popularisation. Also, I constantly feel severely deprived of communication with the real academic theoretic community, so drop me a line ;)

Also, if you’re in the UK, and especially in London, drop me a line and let’s grab coffee.

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